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Memoir Writers and Memoir Ghostwriters
Memoir writers, more specifically memoir ghostwriters, are ideal to hire when you have a story to tell, but don't know where to begin or how to write your thoughts in a truthful and compelling way that will capture the memoir reader's attention. Even if you hire a memoir ghostwriter, you can write your name as the author of the completed and published memoirs.
What many people do not realize is that writing their life story should be like telling it to a good friend who is there to listen and ask open-ended questions that will lead to the heart of your life. Memoir writers can serve as an interviewer who asks you those pertinent questions that reveal your personal story. The right questions can evoke powerful and important insights and themes that will appear in many different scenes of your story.
Working with memoir writers can entail some information on your part. Each interview session with the ghostwriter for hire can last up to two hours, and with permission it will be recorded, transcribed, and used in the memoirs The total number of interviews for a life story is typically ten to twelve sessions. The transcribed material will serve as the basis for a first draft.
Once a first draft is completed by memoir writers, special documents about your life, photographs and other memorabilia such as letters, newspaper articles, awards, and citations are collected that will add color and detail to your story. Searching out these materials, they will often serve as a trigger for additional stories and anecdotes.
Memoir writers will work with you to select those stories and material that are relevant to your major themes and advise you when to omit material in the interest of the story that you are telling. Not every memory is worth including in your book; you are seeking those memories that have the greatest emotional content and significance -- those heart's desires and turning points in your life that illuminate the meaning and substance of your life and its purpose.
On the other hand, this person may ask you to "push your psychological envelope" and delve more deeply into certain incidents that you might wish to avoid. It is not unusual that the things we choose to avoid are the very things that need to be revealed. You can always edit these sections out later. To paraphrase Annie Lamott, a great writing teacher and author, give yourself permission to write a messy first draft." Don't second guess yourself, or say to yourself, "This is really irrelevant," or "Who would be interested in this?" In rereading those stories you may find fascinating truths and coincidences that can lead to unimagined insights.
This type of professional will organize your memoir into logical chapters using chronology or theme as organizing principles. Your story will be told in your voice using your special sayings, philosophy and commentary. After all, it is your story and you have the ultimate say. The process of writing your life story with the help of one of the many memoir writers will take from the initial interview, through two drafts and a final manuscript between four to six months.
Contact professional and affordable ghost writers for your writing project.
Visit www.GhostwritersForHire.Com today or call (323) 570-HIRE
How to Proofread and Edit Your Documents
Expert Author KJ Hutchings
It has to be said that in order to produce a good piece of writing it is essential to edit, re-write and proofread. It's the only way to turn a good text into a great text. Yet, proofreading and editing are often overlooked or done without much attention or time and when this happens it can severely affect the quality of your work.
Fine-tuning your ideas is essential if you want to make an impact in your writing. So, if you want to know more about how to edit and proofread your texts, read through the five key things you need to do turn your good documents into great documents:
·         Take time out
It's best to not start proofreading and editing immediately after you have finished writing your text. Writing and editing are two very different tasks that need different approaches. Writing is obviously creative - you are getting your ideas down on paper, whereas editing is more objective whereby you look at improving what has been written, and look on the words as if you are seeing them for the first time. Therefore, you need to take some time out - a day or two if you can manage that depending on your deadline - and then come back to your text and start editing.
·         Use the spell-checker
Although spell-checkers on computers are far from fallible, they can be helpful. A spell-checker will spot incorrectly spelt words, but is unlikely to highlight words that have been spelt correctly but used in the wrong context, such as "red" and "read", "pervious" and "previous". So, let the spell checker pick out spelling mistakes, but don't rely on it too heavily.
·         Print it out
When you have completed the first draft of your text (and used the spell-checker), it's best to print out a copy. After staring at a computer screen for several hours, your eyes are likely to feel fatigued and in need of a rest. You will probably also want to get away from your desk. Carrying out editing work in a different setting, such as whilst sat on the sofa or in the garden or in the office lunchroom, can be very good for sharpening the mind. Reading your text on paper instead of a screen is also better for your eyes and you are more likely to spot errors more quickly. Remember to make notes on the pages highlighting any errors and changes, which can then be changed on the computer document. Remember to spell-check again and then press "Save."
·         Read your text out loud
Reading your text aloud is a great tactic for spotting lack of flow in your writing, such as repetition of words or awkward sounding grammar. It also gives you a good idea of how the wording sounds to your audience. Reading aloud in a busy office might not be an option, but you don't have to read loudly - just loud enough so that you can hear how the sentences sound. You can always warn colleagues seated near you that you are going to read aloud as part of your editing process - they might even start to do the same! Better still, you can give each other your documents to read through - a fresh pair of eyes is always necessary when proofreading and editing.
·         Make sure you know who you are writing for
It's important to know the market you are writing for. Knowledge of your target group is crucial in creating an effective piece of text. If you "know" your readers you can empathise more readily with them and structure your writing accordingly. For example, a letter to a prospective client would read very differently to one written to an established customer. Make sure you carry out plenty of research first before you even start writing.
If you follow these five key points you are well on your way to successfully editing and proofreading your texts. And remember, editing often requires a fair amount of re-writing to turn a document from good into great. Don't forget to edit and proofread any re-written pieces of text.
KJ Hutchings is the owner of KJ Language Services, providing proofreading, editing and writing services to businesses and students, in particular those who use English as a second language. For more information, visit her site at: http://www.kjlanguageservices.com/

Plagiarism, Copyright, and Fair Use
You love a poem you saw on the Internet and want to quote it in your book. But is that plagiarism? You want to quote a passage in a book but you're not sure whether you need to ask permission or not. What counts as fair use and when do you need permission to use a copyrighted work?
All the time I see people stealing from other people on the Internet by reposting their articles, stories, or photographs. Before you post anyone else's information on your website or use it in your book, you need to get permission. Yes, there are such things as public domain and fair use, but it's always best to be safe regardless. Before you decide to use something that belongs to someone else and risk angering that person and facing a potential lawsuit, ask yourself a few questions:
1. Do I really need this piece of information, poem, cartoon, or whatever it is? Will my book or website be okay without it? 
2. Is this item in the public domain?
 
3. If it's not in the public domain, can I use part of it under the fair use laws?
 
4. Can I rewrite or reword the work and then reprint it?
 
5. Is giving credit enough?
Let's look at each of these questions in detail.
Do I really need this piece of information? Will my book or website be okay without it?
I can almost guarantee that in every situation the information, document, poem, cartoon, or whatever it is, is something you can do without. Why use someone else's property to illustrate your own? Hire your own cartoonist, artist, or write your own poem. If you can't do that, then look for one in the public domain. If you, however, absolutely want to include something that is copyrighted, then be prepared to pay for it. You will need to contact the owner or his or her heir for permission, and you will doubtless have to sign some sort of document promising you will only use it as you are given permission to do so. You will also usually have to pay to use it, especially if it is for commercial purposes, such as in a book you plan to sell, and you'll usually pay dear for it-in the hundreds of dollars or more is not uncommon. At that price, do you really need to include it in your book or on your website?
Is this item in the public domain?
Just what constitutes public domain? It varies by country and by the kind of work it is. Today for authors, copyright in the United States is for life plus 70 years, so if I were to die tomorrow, it being the year 2012, anything I write would be copyrighted until 2082. However, copyright laws were less stringent in the past so some works may have shorter copyrights that have expired. As a rule, if an author or artist has been dead since 1941 or earlier, you're probably safe, but it still never hurts to investigate. Furthermore, while an old work like "Don Quixote" may be in the public domain, that doesn't mean a modern translation of it is.
What counts as fair use?
If a work is not in the public domain, a lot of the time you can still use a small part of it if appropriate, such as a quote or passage, usually not to exceed a page. That said, a short work like a poem cannot be used in its entirety despite its short length because you will be using the whole work, but you might be able to quote a verse or stanza from it. Even so, in such cases it is best to play it safe and ask for permission to quote from the work in your book or on your website. What constitutes fair use depends on many circumstances including: the purpose of its usage, whether it is commercial or charitable, whether the quote is used to promote the work such as in a book review, or whether your use of it will harm sales of someone else's book because you provide too much information from it.
To go direct to the source, here is what the 1961 Report of the Register of Copyrights on the General Revision of the U.S. Copyright Law cites as examples of fair use:
"quotation of excerpts in a review or criticism for purposes of illustration or comment; quotation of short passages in a scholarly or technical work, for illustration or clarification of the author's observations; use in a parody of some of the content of the work parodied; summary of an address or article, with brief quotations, in a news report; reproduction by a library of a portion of a work to replace part of a damaged copy; reproduction by a teacher or student of a small part of a work to illustrate a lesson; reproduction of a work in legislative or judicial proceedings or reports; incidental and fortuitous reproduction, in a newsreel or broadcast, of a work located in the scene of an event being reported." (source:http://www.copyright.gov/fls/fl102.html )
There are always fine lines that exist in using someone else's work. Even if you are sure it falls under fair use laws, if it's not in the public domain, it's best to ask for permission to use the work, and if that seems impractical, it is always best to consult an attorney.
Can I rewrite or reword the work and then reprint it?
You may paraphrase a work by giving a summary of a basic idea, provided you give credit to the source, but you may never rewrite someone else's work and pass it off as your own, or even as theirs when it is rewritten. And even when you paraphrase an idea, it is still someone else's idea (intellectual property) so you must give credit where it is due.
Is giving credit enough?
No, it's not enough to give credit. You need permission to reprint as well, unless as noted above, it is in the public domain. You must always give credit to the owner, whether it be an author, publication, artist, another website, etc. It is usually sufficient to state who is the original creator or copyright holder of the work. For a poem, provide the title and the author's name. For a passage from a book, you can state, "George Smith states in his book 'My Brilliant Ideas,' that:" Depending on your own book or website, you may want to consult a style manual for how best to cite a source. "The Chicago Manual of Style" is the preferred style manual to use for most books, although others exist depending on the kind of book you are writing, such as the "Publication Manual of the American Psychological Association" (APA style) or the "Christian Writers Manual of Style." If you do receive permission to reproduce copyrighted material, make sure you ask the owner how you are to cite that permission to reprint the work.
Always find out if a work is copyrighted and always give credit where it is due. Then you will avoid issues of fair use violation, copyright infringements, and plagiarism that can later come back to haunt you.
Irene Watson is the Managing Editor of Reader Views, http://www.readerviews.com, where avid readers can find reviews of recently published books as well as read interviews with authors. Her team also provides author publicity and a variety of other services specific to writing and publishing books.


How to Choose an Editor
Regardless of whether you self-publish or submit your work to an agent or publisher, smart writers know the manuscript must be edited before it's ever sent. Some writers have the fortune of having a friend or family member edit their manuscript. The downside of this approach is that people who know you well may be reluctant to give you honest feedback and a full edit. It's also difficult to know if they really have the skills-they may be good, but are they really good enough? If editors are sending rejection letters or your self-published books aren't selling, the first question you should ask is whether you need a (better) editor.
But where do you find one and what should you look for?
Gone are the days of old school marm editors with graduate degrees in English grammar. Today's editors have degrees in many different areas, not just English. To find an editor, you are likely to have a choice of two routes: a freelance editor or an online editing and critiquing site.
Freelance editors often sign up to popular freelance sites such as Elance or Guru. You can also find them in directories for your writers' associations and writing networks. The National Association of Independent Writers & Editors is a good place to start looking.
If you try out the freelance website route, you are likely to get your editing done cheaper than most other places. The old adage applies: You get what you pay for-usually. There are definitely a lot of exceptions, obviously, as this was how I got my start as a freelance editor, and I fancy myself as quite a good one.
Either way, there are several qualities and requirements to look for in a potential editor. First, make sure they are native English speakers. Hiring out of India or the Philippines will get you incredibly cheap prices, but the quality of your manuscript will suffer. One of the hazards of going with an online company with multiple editors is that you don't know who your editor is. Ask to "meet" the editor through email, phone call or video chat.
While your editor need not have a degree in English, they should have a college degree in some field. For instance, I learned my grammar and punctuation skills through a graduate program in political science. In order to ensure good skills, ask to see professional samples of their editing or writing. As an editor, I got permission from one of my clients to use a small excerpt of their writing (before and after editing) to use as a sample for my portfolio to send to potential clients.
Don't judge all editors-freelance especially-by their pricing. Many new and fantastic freelancers need to undercut the competition to jump start their business. Likewise, you can find some barely adequate editors charging at the high end of the spectrum. This is why it is critical to review portfolios and obtain samples.
The critical question is to ask what you are going to get for the price. Online editors should be charging by the word for long manuscripts such as novels. Whatever the charge, you must ask what level of editing is offered: 
·         basic edit (punctuation and basic grammar changes),
·         moderate edit (basic edit with some critique/feedback and changes for consistency)
·         full edit (moderate edit with many of the major changes made by the editor, along with comprehensive revision suggestions)
Unless you are an absolutely fabulous and very experienced writer, a basic edit is mostly worthless to new writers. New writers need comprehensive feedback from a professional to improve your writing to the level necessary for publication.
Finally, it's important to remember that the ultimate goal is to find an editor with whom you can build a long-term relationship. Jumping from editor to editor will only cause stress and uncertainty every time you change. Actually talk to your editor and develop a friendly working relationship. Once you find a good one that fits your style and personality, hold onto them. Use him or her on all of your writing projects to ensure consistency in your manuscripts, stories and articles.
Darcie Carsner Torres is a professional writer and editor with over 20 years of experience. She provides editing and critiquing services through CanAm Author Services, http://www.canamauthorservices.com, and editing and ghostwriting services through Pen & Pestle,http://www.penandpestle.com. Her mission is to help budding authors improve their writing and get published.


How To Begin Writing a Book

Best seller books do not write themselves, they need an author who stayed with them throughout the time; authors who have a vast universe of great ideas for their books. But not all of them know how to begin writing a book. Every author has a lot of frustrating moments, filled with exciting and surprising twists, set in a very long process and intermittent rush of accomplishment.
Like most authors, they spend time thinking about their book before they even start. The first thing that they would do is to do some research. They may daydream about how their work would go and often times they brainstorm. Every author need to compose ideas and thought before they start a book. Well-thought ideas are better to be written down. That is when they start writing their book; and when they write a book, they write continuously, from a single word to a phrase, then into a longer sentence until they make a paragraph. Just like pottery, a pot cannot make itself, first it need well mashed clay then it will be placed in a wheel where it will be shaped like a pot and heated and a pot is born.
Here are some guidelines when you start to write a book. It will help you prepare your way in writing a book:
1.) Know your reader
Dedicate your work to whom you want to direct. When you have determined those people who likely serve as an inspiration to you - a family, friend or acquaintance - writing something will be easy. Every reader will empathize with your work, giving more attention thus, giving you an idea how you would connect to them as they try to connect to your book.
2.) Have a rough draft
Whenever you would start to write a book, it needs a core or skeleton where the book would take it shape and body by making an outline. The outline is the blueprint of your book. Expanding the details from your outline, write a brief summary on how each and every chapter will be. This will help you organize your thoughts as well your book.
3.) Know your conflicts
There are two different conflicts when you would start on your book- your personal conflict and the book itself. Personal conflict because you need time and enough effort to start with. You will also have challenges that would hinder you to write like writer's block, loose of interest or you are just too tired.
The other conflict is the book itself. This conflict pertains to the situations or problems that would arise within the book itself which the readers can possibly see. Issues like theories and author's perspective are just some of the conflicts. As a writer, you have to make sure that each of your theory or propositions are consistent and thus reducing possible conflict.
4.) Embrace a theme and genre
Know that every reader has their own taste and unique senses concerning a book. The idea of individuality determines what theme and genre your book will be. You must know that it is better to have a single theme and a specific genre when writing your book. Theme and genre are two different things.
Theme- is the central topic of your book, this is where your book revolves; a subject or concept of the author pointing out. Genre, on the other hand, is the category of books (music, art and more) based on some set of stylistic criteria.
Now that you have done the steps on writing your book, nothing can stop you now. It is now time for you to write a book. Your preparation has helped you resolve possible issues on how to begin writing a book. These guidelines are designed for you to easily access and describe the current situation of your book. It aims to give you an idea on how to start writing a book even without prior knowledge. With this information, you can now begin to make your own book.
Good luck!
- Al Echegoyen
For more
 tips on writing and book promotion.
Semicolons for the Punctilious Writer
Grammar and punctuation are my "thing." The improper use of the semicolon is one of my biggest pet peeves simply because the rules are so incredibly simple. There aren't many uses of the semicolon, so I feel it's important to get it right.
The most common use of the semicolon is to link two independent clauses. In layman's terms, an independent clause is simply a complete sentence that can stand on its own. While there are several ways to link complete sentences, the semicolon is the most direct. Let's look at the possibilities.
Take two sentences that are related:
The dog ate the cat. The cat ate the rat.
The important thing to remember when using the semicolon is that the two sentences to be linked should be closely related in some way. You wouldn't want to link two completely unrelated sentences, such as: John worked late that night; My boss was a jerk all day, so I came home tired and grumpy. No-that simply doesn't work.
When using a semicolon to connect related sentences, you do not use a conjunction (connecting word like and, but, or). If you wish to use a conjunction, you must use a comma instead.
· The dog ate the cat; the cat ate the rat. OR
· The dog ate the cat, and the cat ate the rat.
When editing, I find many writers who use the semicolon willy-nilly in place of the comma. If you don't know the above rule instinctively and without hesitation, the main test for its use is to ask yourself whether each piece of the sentence-the part before and the part after the semicolon-can stand on its own as a complete sentence. Here's an example of how to do it wrong:
· John entered the building; disgruntled and irritated by the early start to his day.
There are a few sub-rules that present more complex instances of the main rule I've listed above, but they really come down to the same thing: linking related independent clauses. One educational writing site offers these fine examples:
· Clauses connected by conjunctive adverbs or transitional phrases: But however they choose to write, people are allowed to make their own decisions; as a result, many people swear by their writing methods.
· Link lengthy clauses or clauses with commas to avoid confusion: Some people write with a word processor, typewriter, or a computer; but others, for different reasons, choose to write with a pen or pencil.
In the second example, we see the word "but" used after the semicolon, which I told you was a punctuation faux pas. Here it is acceptable due to the confusion and mess caused by the number of commas already in place. As an editor, I would tell you that the "but" is simply unnecessary and to write the second clause without it.
The second use of semicolons involves lists. You need to use semicolons to separate items or ideas in a list that contain commas. For instance: On our vacation, we are going to Cedar Rapids, Iowa; Madison, Wisconsin; and St. Paul, Minnesota.
A minor exception to the "complete sentence" rule is where it is needed to avoid confusion. Take the following sentence using just commas:
You need to bring many necessary items for the trip, for example, a map, a compass, and travelers' checks.
Here, there is confusion resulting from the commas. Which (correct) option does the writer wish to convey?
· You need to bring many necessary items for the trip, for example; a map, a compass, and travelers' checks are just a few items you will require.(Follows the complete sentence rule)
· You need to bring many necessary items for the trip; for example, a map, a compass, and travelers' checks.
Either way is fine, but I prefer the second.
Finally, there is some confusion over using commas and semicolons with the word "however." Let's look at two examples of doing it right:
· I like green vegetables as a rule; however, I despise spinach.
· I like green vegetables, however, and will eat them every chance I get.
The first thing to note is the first example follows the "complete sentence" rule and the semicolon is used, where the second sentence does not have a complete sentence after the word "however." Second, in the latter sentence, the word "however" seems to refer back to a previous sentence. For example:
· I don't generally like many vegetables. I like green vegetables, however, and will eat them every chance I get.
So, that's really it when it comes to the semicolon. It's not really a complex punctuation mark, and using it correctly in your writing should now come easily for you.
Darcie Carsner Torres is a professional writer and editor with over 20 years of experience. She provides editing and critiquing services through CanAm Author Services, http://www.canamauthorservices.com, and editing and ghostwriting services through Pen & Pestle,http://www.penandpestle.com. Her mission is to help budding authors improve their writing and get published.
How Do I Use Social Media As a Writer?
It's difficult for writers to grasp the concept of using social media to increase awareness and sales. This is because most writers fail to approach their writing as a business. Even if writing is only a hobby, even if you only enter contests or write short stories, you are a business. You are in the business of finding readers for the words you put down on paper. You both want and need to greater exposure to new and bigger readership markets to make a success of your writing career.
Social media has that power-even for writers.
We've heard it a thousand times: Facebook, Twitter, LinkedIn, and now Pinterest. We know where we should be, but the big question is, what the heck should you say?
Anything pithy, interesting or relevant is the answer.
If we are approaching our writing lives as a business, we have a product we need to sell. Therefore, it only makes sense to develop a social media strategy built around promotion. In this, you should be posting the following:
·         New book/story releases
·         Awards
·         Anticipated release dates
·         Tons of promotional material saying where to buy
·         Book covers (especially Pinterest)
·         Promotional sales, discounts and free Kindle weekends
·         Updates on works in progress
Much of this can be done or scheduled in advance using a social media manager application like Hootsuite. You can schedule these posts and Tweets in advance and limit your promotional social media work to just one day a week or even just once a month.
As a writer, you should also be blogging. You can talk about your personal writing process, time management, research, the progress of your novel-just about anything that relates to writing. You can even weigh in on critical events happening in the publishing and writing worlds. Do book reviews of both good and bad material you've read. Then, tell your social media followers about your new article.
As a blogger, I try to write articles in batches and schedule them for release throughout the month in order to save time and conserve my efforts. I then go into my social media manager and schedule a Facebook post, Tweet and LinkedIn update to run at the time of the new article release, plus twice more in the seven days following. I tend to post one announcement to Facebook and LinkedIn, but multiple times on Twitter, as people may miss it with the enormous amount of people they follow. Keeping up with your Twitter stream can be a hopeless cause, so I give my Twitter followers multiple chances to see that I've written a new article.
Finally, you should post in your social media simply for entertainment value. A lot of writers send out famous or pithy quotes about being a writer. I love those. Or send out writing prompts to your readers. Don't be afraid to think outside the box or be a little quirky. Here are a few examples of what I'm talking about:
·         Cat in the Hat meets Snow White-Anyone find that hilarious?
·         Daniel Silva's new novel is out. I swear I saw Gabriel Allon skulking around town looking for me.
·         Dreamed I was Hemingway last night. Must've been the alcohol.
Don't be afraid to show your personality, or even your other side. You don't have to post in the same way you write. You can also find a lot of social media fodder in your own work. Post quotes from your characters or short scenes to entice your followers to read and buy.
One final note on social media: Always include links. Social media is ultimately designed to drive traffic. "To where?" you ask. To wherever people will be most convinced that they want to read your work. Sometimes that is your website, other times it's your Amazon page. Don't be afraid to lead them around a bit, either. For instance, I often use Twitter to drive traffic to Facebook, and Facebook to my various websites. Get people to follow the links-it will help your SEO results if you do it right.
Darcie Carsner Torres is a professional writer and editor with over 20 years of experience. She provides editing and critiquing services through CanAm Author Services, http://www.canamauthorservices.com, and editing and ghostwriting services through Pen & Pestle,http://www.penandpestle.com. Her mission is to help budding authors improve their writing and get published.
The Purpose of Dialogue in Your Writing
In any story, you are likely to find dialogue between characters. As an editor, one of the major faux pas I see is writers who use dialogue without a clear purpose. Remember the first rule of fiction writing: show, don't tell. For some, this rule makes it difficult to know when to use dialogue and when to avoid it.
In my own mind, I feel dialogue is my weak point. My basic style is to be more of a narrative writer, and I could write an entire novel without any dialogue at all. Of course, that makes it a little boring for the reader. Getting the right mix of dialogue in any story is a challenge for writers of all genres.
The first purpose-and these are in no particular order-is to reveal the tone and timber of our character. We learn a lot about them through the way they speak. In my current work in progress, my main character is Hispanic. Through dialogue, I reveal that she is firmly American (speaks English exceptionally well), but she also identifies with her roots by speaking Spanish under certain circumstances. Similarly, we can reveal sarcasm, education level, and dual personalities where our characters say things that go against their secret thoughts and deeds.
Second, dialogue reveals the nature of the relationships between characters: antagonistic, passive-aggressive, mutually beneficial, conspiratorial, and so on. You can set tension or suspense, heartbreak, excitement, mystery, fear-all through dialogue.
Dialogue also speeds up the pace of your novel or reveals past facts that need to come into play at the appropriate time. In the first instance, you can't write a novel that details every moment of your character's life or actions. If you want to get to the end, you have to skip ahead, but without losing critical information. Dialoguing with another character, telling him or her what has just come to pass, can help you do that. You get out the essential information without wasting ink on an unnecessary scene that only gives a few pieces of information.
Likewise, our stories always start somewhere in the middle: Our characters have a past that will affect their present and their future. We have to jump in somewhere and pick a starting point, however. You can use dialogue to reveal important past facts about a character's life that need to come out at a very precise point in the story without having to go into a flash back, which doesn't always work in every story.
Finally, dialogue can simply be one of the most powerful elements in the entire story. What a character says can have a strong, lasting impact on the reader. Here, an example works best to illustrate my point. In the film A Time to Kill, the book written by John Grisham, Jake (Matthew McConaughey) is in the courtroom defending Carl Lee (Samuel L. Jackson) for murdering the man who raped and almost killed his young black daughter. Jake makes one of the most powerful speeches in film history, describing the brutal rape of Carl Lee's 10-year-old daughter, slowly and methodically, having the jury close their eyes to imagine it-actually see it in their minds. Then he says those infamous words:
"Now, imagine she's white."
It was startling; it was revealing. It was powerful.
The book and the film differ in that, in the book, this speech was actually given by a juror during deliberation. But the power of this statement could not have held such emotion or had such an effect in a narrative form. Years have passed since I read or saw those words, but they are burned into my head for all eternity.
Dialogue should have a relevant and clear purpose. If you are using dialogue to just kill time and fill pages, you need to rethink your dialogue strategy. Every word, every line should advance your story or your character in some meaningful way. It must reveal.
Darcie Carsner Torres is a professional writer and editor with over 20 years of experience. She provides editing and critiquing services through CanAm Author Services, http://www.canamauthorservices.com, and editing and ghostwriting services through Pen & Pestle,http://www.penandpestle.com. Her mission is to help budding authors improve their writing and get published.
Biography Writing
Biography writing is an art to be mastered with persistence, patience and practice. When writing, the biography writer should focus on the interesting aspects of the subject's life. People's life story, the chain of proceedings that took place in their lives, their shortcomings and virtues, the way they might have impacted society, their likes and dislikes, and everything that could be of interest for others is brought under a single roof, called the biography. At one or several points in the academic life, students are required to write biographies, the difference lying in the depth of the subject matter expounded. Biography writing can be an enjoyable task if the writer likes to conduct research, dig deeper that what appears on the surface, loves meeting and interviewing people, and can deduce inferences from little known facts. There are a few useful tips that could ease the biography writer's chore.
· Always select a person who fascinates you. It becomes so much easier and interesting to write about somebody special. A little bit of previous familiarity about the subject is part of the mission accomplished.
· Have a motivating beginning to hook the audience at the start.
· Begin, maintain, and end to grab the attention of the reader. Intersperse the dry biography with anecdotes to enliven the narrative. A few pictures, graphs or charts, bring in the much needed break the monotony of the text. The description of a humorous stint will also do.
· Write in third person perspective in biography writing. It gives greater credibility to the narrative.
· Use only trustworthy sources to gather the inputs. All the information that is included in the biography should be absolutely accurate or you may be accused of violating personal privacy. Interview the subject if possible or at least those who knew the subject well.
· Date of birth, death, and major milestones covered during their lifetime, family information, career, hobbies and such information should be included.
· Biography writing will turn exciting if the inner self of the subject is exposed. For instance, the subject's secret desires, dream ambitions, and opinion on the matter of common interest.
· Use primary as well as secondary sources to gather information for the biography. Diverse sources could reveal some fascinating facts.
· Refrain from judging the subject. Do not hold back negative qualities or harp about the positive attributes. Spell out the turning points in the subjects' life and what shaped their personalities.
· Biography writing is not an inventory or a chronological sequel. Your objective is to impress readers so they read on eagerly. Elaborate on the really intriguing facts.
· Maintain all the data collected and weave a loose draft first. Read and see where description can be tightened to enhance the final result.
· Edit your own work. Get somebody else to read it too, to get an honest opinion.
A lot of writers choose biography writing as their profession because they love to unearth stimulating details and recreate somebody's life through the power of their pens. It is essential to enjoy such a genre of writing, for only then the best can emerge through your creation.
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Touching Lives Through Grants for Special Needs Children
Special needs children are those who are believed to be suffering from physical disabilities, health and medical conditions, behavioral, mental, and emotional impairments, abuses, and learning difficulties and in need of specialized services. They often require expensive equipment and support that will allow them to live a more convenient life.
Beyond doubt, taking care of the sector still seems to be a very challenging task for many, especially when only a limited number of resources are available. However, a wide array of organizations is willingly established to lend a helping hand for those who are in need of special assistance in terms of financial and physical accessibility. Such aids coming from these organizations are made possible through the so-called grants for special needs children.
Varying types of funding assistance are available nowadays through different sectors of the state and federal government and various philanthropic foundations and organizations. Services offered by them are basically in the forms of educational funding, recreational and after school activities, and healthcare assistance. And similar to other forms of proposals, writing and applying for funding assistance designed to help the population take time, yet very much fulfilling when done successfully. What you just need is to look for possible funders, may it be from the government or private institutions, which will fit to your needs accordingly.
Joining associations and charities at the local or even national levels can be your initial step to receive such financial assistance. Organizations offering services for specific special needs are accessible as well. Included in the lists are the following: National Dissemination Center for Children with Disabilities, Federation for Children with Special Needs, National Center for Learning Disabilities, American Action Fund for Blind Children and Adults, National Autism Association, Disabled Children's Relief Fund, and the like.
Similarly, seeking funds in the state and federal government can be your alternative. A number of sectors of the administration have a lot to offer in providing opportunities including college grants, scholarships and educational loans for students, and assistance programs for disabled kids.
Grants for special needs children are, indeed, readily available for the needy ones. The Internet can be a great medium through which people can find prospective foundations or agencies tailored to assist them with their necessities. Seek for their help and comply with the requirements indicated. Once you have identified your needs, you can now start preparing for proposal writing. Remember that in applying for financial assistance, you have to explain yourself in a convincing way in order for the provider to comprehend the situation. Medical records and other information are very important in the application process for these documents will be deliberated keenly. Submit the grant on or before the deadline. Most importantly, you have to communicate with the funding organization since this will enable you to address queries and concerns regarding the matter.
We are very fortunate that we have these organizations, foundations, and government agencies that are really in the zone of helping other. Through their assistance and support, they actually touch the lives and positively enrich the future of every disabled kid. By means of the grants for special needs children, we are giving them the hope to have a better way of living.
Erin Millano has always been passionate to improve the quality of life of marginalized, low-income individuals, and families. She is a lobbyist, freelance photojournalist, and proposal writer. 
Hum Your Way to Graduation With Christian Music Grants
Due to the constant and skyrocketing cost of tuition fees in most universities, many would-be college students nowadays can only find themselves focusing more on earning for a living rather than a degree. As a response to this, many academes and Christian institutions that believe in the relevance of education have been consistently offering financial assistance and scholarship programs for financially-challenged, yet determined students.
For aspirants who want to pursue a degree in the field, acquiring any Christian music grants is a practical approach to learn while earning at the same time. Students who do not have a degree yet have an active status in chorales can also apply for funding assistance, too. Free financial aids are only attained by applicants who are truly capable and eligible to obtain them. Students who have a calling for religious activities that focus primarily on musical talents can apply for various Christian music grants, given that they will meet the set of qualifications as specified by the grantees.
What You Need to Do 
The process in applying for a grant is a rigorous task. Any student who looks forward to acquire this monetary aid must have the perseverance to search for a lot of options. Missing a grantee can be a loss of a great opportunity. Listing universities and organizations with their corresponding requirements is a must as it can help the applicants determine whether they are eligible for the program or not. If you are a hopeful who already have a prospect school, you can contact their financial office and ask if they have available funding information for the inclination, so as to lessen the efforts you have to exert.
Application forms for grant programs usually require students to include their achievements throughout their educational career in the application form, so make sure to fill in as many as possible. Incorporating church activities such as youth camps can increase your chances in obtaining the funding assistance.
Gather as many information as you can about the funding assistance that you want to achieve, since overlooking a single statement or procedure can eliminate your chances. Do not hesitate to ask for assistance from your parents, teachers, or anyone who is certainly capable of aiding you in your application process. By following the right procedures, applying for these programs can be as easy as humming.
In reality, there are many organizations that provide Christian music grants to deserving aspirants who wish to continue their studies until graduation despite the increasing educational fees. The following grantees can be definitely added to your list:
Rhode Island Foundation: Bach Organ & Keyboard Music Scholarship 
This program offers financial assistance to undergraduate students with either related major or a role as a church organist. It awards $1,000 worth of scholarship to students residing in Rhode Island, and must be affiliated with the American Guild of Organists (AGO). For more information, call 401-274-4564.
The Charlotte Hoyt Bagnall Scholarship for Church Musicians 
For church musicians who want to acquire a degree in their field as well as in liturgy, this program awards $500 to $2,500 to worthy aspirants. Funded by the First Church of Christ, it is established to offer assistance to students who wish to enhance their abilities for worship services. The organization can be reached via phone at 860-658-7406.
The Christian Fellowship of Art Music Composers Scholarship 
Student composers can assist their educational needs with Christian music grants. CFAMC, an organization for Christ-believing composers, provides this program for those pursuing preparatory or collegiate degree. Curriculum vitae, two letters of recommendation, and a brief explanation on how the award will be used are only few of their requirements. The full list of requisites can be found in their web site,http://www.cfamc.org.
Erin Millano has always been passionate to improve the quality of life of marginalized, low-income individuals, and families. She is a lobbyist, freelance photojournalist, and proposal writer. 
How to Write a Grant Proposal When You're Not a Writer?
Writing is a task that requires brain juices, smart ideas, and compelling thoughts. Anyone can be a writer but to be a good one would require ample time to read, research, and enthusiasm to learn new things.
Not just another task 
One of the most tedious tasks of a writer is to accomplish a proposal. This type of document is submitted to prospective funders for a proposed project. Over the years, applications have become tough. There are a vast number of organizations and individuals who wish to have funding sources as well. Also, hundreds of applicants may submit proposal for a single opportunity. Funders will consider proposed project based on specific criteria. Most likely, they would favor programs that would have impact on the lives of less privileged individuals, minorities, elderlies, and significant projects that could improve the community. With their stringent criteria, it is suggested to hire writers who have excellent writing skills and knowledge in computer applications. Also, it is significant to submit an application that has realistic objectives and has a great success probability.
Further understanding 
Grants are funds given to individuals or non-profit organizations by government agencies, foundations, charitable institutions, and private sectors to stabilize financial status. It is considered a good way of achieving common goals. There are different types that may be awarded to qualified applicants and they are usually categorized as:
• Federal 
• Housing
 
• Scholarship/Educational
 
• Personal
 
• Small Business
Medical Assistance Research and Development 
They are significant in sustaining various needs of starting a small business with modest capital, personal circumstance, research studies, educational needs, and home acquisition or improvement. The foremost step to be considered for available funding opportunities is towrite a grant proposal
 that will win the heart potential funders. This will mean providing facts, statistics, and analysis that will support the narrative of the project, and budget plan that entails the allotment of funds.
Why apply for the funding assistance? 
It doesn't take a genius to write a grant proposal. However, submitting a mediocre document may give your competitors higher funding chances. There are a lot of reasons why many apply for funding assistance. This could be:
• An aim to start a significant project with insufficient funds 
• An organization wants to utilize available sources to continue or enhance an existing project
 
• The need to meet requirements within the specified time
 
• The organization's eligibility for funding requirement
 
• The commitment and dedication to uphold the lives of people in the community
To have a competitive edge with the proposed project, it is important to write a grant proposal that aims to accomplish long term goals and builds community support. To ensure that funding entities will consider a proposed program, the document should entail:
• Project summary 
• Qualification for the funder's requirement
 
• Clear description of the program beneficiaries
 
• Conceptual framework
 
• Accurate detailed budget plan
 
• Projected outcome
Erin Millano has always been passionate to improve the quality of life of marginalized, low-income individuals, and families. She is a lobbyist, freelance photojournalist, and proposal writer.
10 Commonly Confused Words
Many people who learn English as their second language can get several words wrong. The surprising thing is that even native English speakers can commit such errors. There are many top 10 lists on common misspelled or confused words in English. Here is one.
1. Affect and Effect
Although seasoned writers will hardly confuse these words, those learning the language actually do. To avoid confusion, think of "affect" as a verb and "effect" as a noun, although the latter can also be used as a verb. The confusion stems from the fact that these two words have related meanings. The word "affect" means to influence, while "effect" means the result or outcome.
2. Alright and All Right
Now, this is not necessarily troublesome. The word "all right" has always been considered as the right form of the word, while "alright" is considered by some purists as the illiterate form. However, more and more writers are seen to use the word "alright." Keep in mind that "all right" is the standard form. By this time, though, it seems impossible to say that "alright" is wrong.
3. Lose and Loose
Many people write "lose" but mean "loose", or write "loose" but actually mean "lose." The word "lose" is a verb, while "loose" is an adjective. These sentences are wrong:
"I want to loose weight." The word here should be "lose."
"My pants are lose." The word probably is "loose" or "lost," if the writer means their pants are missing.
4. Desert and Dessert
These two words are also confusing for many people, maybe because of their spellings. The noun "desert" is a place, while "dessert" is food. You don't say, "The desert tastes delicious." At the same time, you don't say, "Camels walk on the dessert." Take note that when there is one "s", you are pertaining to a dry, treeless place. "Desert" can also be a verb that means to abandon.
5. To, Too, and Two
These three words should never be mixed up at all. "To" is either a preposition or a part of an infinitive. For example:
I went to the doctor. (Here, "to" is used as a preposition.)
He chose to give his money to the poor. (For this sentence, "to" is used as part of an infinitive.)
"Too" is an adverb that either means "very" or "also."
"Two" is, of course, a number.
6. Stationary and Stationery
"Stationary" means motionless or fixed. You can use it to describe standing or still objects. "Stationery" is a noun that pertains to materials used for writing. Use "stationery" when you are referring to paper and envelopes.
7. It's and Its
These two words can be easily mistaken. To avoid confusion when using either one in a sentence, see if it makes sense to substitute "it is." If not, you probably should use "its."
8. Altogether and All together
These two are often mixed up, because both seem to be the same. If you can substitute "completely" or "all in all" to the word, you most likely mean "altogether." If you can use either "all" or "together," then you most likely mean "all together."
9. Fewer and Less
Use "fewer" to refer to things you can count (marbles, candies, or chairs) and "less" for the things that you cannot count (flour, water, or sand).
10. Could of and Could Have
Due to the way people say it, "could have" or "would have" are sometimes misspelled as "could of" or "would of."
To view more top 10 lists visit our website http://poptens.com
Profitable Article and Blog Writing
Making money online has a million sub-centers from which to choose, but my favorite is making money writing an article or blog for profit. Profitable article and blog writing is not as difficult as one might think, unless you struggle to fill out a paragraph or two on your favorite topic.
Writing articles and blogs for profits is referred to as content marketing, and if you haven't heard, Content is King. Some say Content is well beyond King, and that it is now God, although I find that term reprehensible and blasphemous. Content is King works well, so let's leave it at that.
If no one has said this to you yet, welcome to the age of content. Since its humble beginnings (can you say the Bible?) as story telling, content is all about getting the word out about your product or service in such a way that is anti-selling, and pro-relationship building.
Today's business environment is drastically different than it was just a few short years ago. Traditional forms of marketing were controlled by the message makers pushing their information, persuasion and sell-speak at the consumer. If the consumer encountered enough messages, they sought out the retailer or business offering the goods or services and the transaction occurred. Now the consumer is in charge of the transaction. Sure, traditional forms of marketing and advertising still exist, but the resources companies devote to traditional sales methodologies is forever shrinking, as the consumer is not researching products and services online rather than be bombarded by traditional means. Serius Radio, Tivo, the DVR, Netflix and digital news outlets have minimized the number of touches traditional marketing messages consumers now experience. Therefore, they search out those companies that they feel good about. Content is the way to attract the eyes of today's consumer.
By writing for profit, that is, producing content as an article freelancer, blog post writer or some other form of copy writing in exchange for a wage is quickly becoming an extremely profitable way to make a living.
Organizations spend a great deal of money on content creation, and will go to great lengths to locate and hire competent content individuals or teams. Even the novice writer can find a niche worth exploiting through specialty sites such as elance.com, and odesk.com, where writing jobs can be found in large variety. With a bit of training and a little experience under your belt, you can become a freelancer.
The first thing a budding writer must identify is with which niche he or she has some competency, and hone their practice. There are some great sources online that offer FREE trials of their online courses.
Content marketers are quickly becoming the "go-to" asset for companies large and small. Great content comes from those with passion, and the markets are wide open for niches as small as "duct tape art" to "basket weaving underwater." One only look to their personal passions and begin to write compelling, engaging content for themselves or someone willing to pay by the word, article or eBook.
Happy Writing!
David J Dunworth, often referred to as The 1 Smart Marketer, is a published author of books, eBooks, hundreds of articles and ghost written material for dozens of clients internationally. Additionally he owns multiple sites offering FREE eCources for topics such as Writing for Profit, Men's Fitness, How To Online topics and much, much more.
Change Their Opinion With An Argument
It's difficult to change someone's opinion with an opinion. It's much easier to entice someone with a solid argument. Although your argument may not require academic citations, another way to maintain credibility is to avoid extreme language such as always, never, and other similar words. Use moderate language and appropriate support to convey your points. By doing so, your conclusion should logically follow from what you state throughout the argument. Without support, your string of comments are really just opinions, and while everyone is entitled to their opinions, no one is obligated to change their opinion just because you have an opinion of your own.
I call this arguing within your argument, and I'll describe four straightforward steps to help you articulate effective arguments repeatedly.
1. Determine the scope of your position.
Before launching into an argument, take a moment to create boundaries for yourself. How much territory can you cover with the data you possess? What is the breadth of the material you're about to address? In other words, as the author, recognize at what point your expertise ends and at what point speculation begins. For example, do you truly intend to argue that no school should dictate what a student can wear on its campus, or do you actually want to limit your scope to a particular school's rights to set these standards? Frame your argument, and then construct your argument within the confines of your scope.
2. Identify your main point.
What is your thesis? What are you trying to prove? Know the problem before you set out to provide its remedy. In our above uniform example, your main point may be this: Y High School does not have the authority to dictate uniform wear of its students.
3. Organize your argument with supporting evidence, not simply opinion.
String your points together, leading your reader from one point to the other without having to taking unnecessarily large leaps in faith. The gaps in your argument become assumptions the reader must make to fill the gap. The more assumptions you leave dangling, the more risk you introduce to your argument. If your argument relies too heavily on assumptions you've made as the author, you've made at least two errors. First, you've assumed the reader will make the connections you intend for them to make. Second, you've expected the reader to accept your assumptions at face value without justification.
The more extreme the assumption, the more likely it is that you will lose your reader along the discourse. Since you want to provide your reader with a guided tour away from their opinion over to your main point, ensure you stay with the reader throughout your argument. Look for points on common ground. Get your reader to see that you, too, have an open mind and can see both sides of the issue. Address points at issue (i.e., points of disagreement) with support. Provide evidence and examples to illustrate the foundation of your comments. Demonstrate your point of view has merit and doesn't simply rely on conjecture.
4. Make a strong conclusion.
Last, but not least, end your argument with a definitive position. Summarize the key points you made, along with highlights of the primary evidence you used to support your argument, without adding new material to consider.
At best, the four steps above will persuade your audience to accept your position. At worst, your clearly presented argument may fail to persuade your audience, but you will have had a productive conversation about a difference of opinion.
Breaking the Procrastination Habit Builds My Writing Career
Breaking the procrastination habit requires doing something to help build my writing career - and doing it consistently. Getting it done is as simple as just doing it. Procrastination can be spelled W R I T E R S B L O C K or any number of ways. In the end, it is just an excuse.
Putting things off until tomorrow is EASY - especially when you realize that technically tomorrow will never come because when it is here it is today. Making the tomorrow to-do list can be a great task for putting off what I should be doing right now. There is always an excuse
The moment I stop accepting and thriving off the excuses I can make the move towards breaking the procrastination habit and start building my writing career to the success that I desire. I can get there if I have the support I need to push me to take one more step and if I take that step that will begin (and ultimately end) the journey.
Top Three Secrets for Overcoming a Procrastination Habit
- Value of actions. Every action that I take has a benefit or detriment for my life. Think of minutes as money, and budget wisely.
- Find accountability. Having a partner makes it easier (or at least keeps my feet to the fire). A writing career puts me in charge of my day, my income and my success. There is no boss hovering over my shoulders. Bringing in an accountability partner pushes me to do what I know to do because I do have to answer to someone after all.
- Do something. Action breaks the dams of procrastination. Inaction breeds inaction so that I end up spending the entire budget of the day watching a Psyche marathon or playing video games. Making that first move punches a hole in the procrastination habit. Soon the desire to push forward flows through and I am on my way to the successful writing career that I desire. Just put one foot in front of the other or you will never make it across the floor.
There will always be an excuse. Procrastination comes in many forms and will scream like a spoiled toddler in the grocery store if it does not get my attention. I have to make better choices, get moving and have others push me forward when I want to kick back. It takes determination and desire to break the procrastination habit - and I have to break the procrastination habit if I want to reach my goal of a successful writing career.
Kathryn Lang works full-time as an author, columnist and speaker. Learn more about how she has built a successful freelance writing career by visiting Successful Freelance Writer.
Find a Literary Grant to Raise Cultural Awareness
Literature plays an important role in helping people become aware of their history, language, culture, as well as social destiny. It also helps shape a person's individuality and personality.
Do you remember the time when you enjoyed reading fiction (novels and short stories), non-fiction (personal essays and journals), poetry, stage plays, or any creative stuff? Do you remember watching or listening to storytelling, rap, and spoken words?
Literature is a wonderful experience. Supporting programs and activities toward the continuous creation of new works or works-in-progress is necessary to develop the local community and the country in general. This is where funding for related projects and endeavor sneak in.
Funds awarded for literature are essential to the development of the field and nourishment of the innate talents and skills of writers. Moreover, they also help expose everybody to the wonders of the area.
Obtaining Funding
Seekers of a literary grant need to know everything about the funder so they will not be confused. On the other hand, funding organizations need to identify organizations' goals and objectives as well as projects and activities that urgently need funding.
Like in any funding opportunity programs offered by philanthropic organizations, community organizations, and government agencies, a literary grant can either be competitive or non-competitive.
For instance, the federal government, through the National Endowment for the Arts, continues to offer a wide range of funds for artists of various types. According to its web site, it is seeking to "sustain and nurture a multiplicity of American literary traditions".
In addition, the Arts Endowment said publishing projects must primarily focus on contemporary literature and/or writers. To achieve this, the Arts Endowment will work on the following:
* Ensuring that presses and magazines, community-based organizations, and national centers complement the trade publishing sector in the shaping of contemporary American letters.
* Supporting organizations that nurture emerging and mid-career writers and provide assistance to nascent organizations.
* Supporting endeavors to provide America's readers with direct access to contemporary writers.
The life cycle of an application involves guidelines available, application submitted, staff review, panel review, national council/chairman review, and notification. For other foundations, it may actually involve a personal interview with the seeker or writer. Application processes vary depending on the type of foundation and their giving focus.
In order to be eligible to receive funding, an application and proposal must be tailored to the requirements of a specific funding source. It is up to the grant seeker to ensure that these are submitted on time and gain a favorable review that will eventually lead to obtaining the money needed.
Aside from your proposal, you also need to create a cover letter that should be brief, focused, and compelling. It should introduce your organization by explaining its history and purpose of seeking funding.
In the final analysis, writing proposals to obtain a literary grant embody the interests of writers that include novelists, fictionists, storytellers, dramatists, poets, and critics as well.
Erin Millano has always been passionate to improve the quality of life of marginalized, low-income individuals, and families. She is a lobbyist, freelance photojournalist, and proposal writer.
Why You Need a Book Writing Mentor and What to Look for in a Writing Coach
Why do so many bright people with ideas that mean so much to them never write those books? You know, the ones that are anthems to who they are; closure to what has otherwise left too many loose ends in life; infusing insights into their families, or society that elevates humanity. Reasons for not meeting goals to be an author will vary as people are different in the wide spectrum of humanity. Albeit, viable paths on how to write a book bring an author coach to mind.
Appropriate book writing mentors should have personal interest in your subject matters, true appreciation for your passion, insights and general efforts with the sacrifices that go with it. Factor that we are motivated by social aspects to having a writing coach as an audience.
Focus on a writing coach who empowers you to create your own story, while offers honest feedback. All the while, book writing support should include an acknowledgement that your ideas are the true seeds of the story; a book with your plot and characters reflects the essence of the book. Never let your writing coach put together any of your chapters; if so, your credit as the writer is marred, while the writing mentor is seen as steeling your identity. Such blurring of roles is a clear lose-lose situation. Simply, a mentor's role is to give feedback, question, and provide encouragement.
Expertise of writing mentors should reflect subjects at hand; training in psychotherapy is a definite plus for psychology based prose. How can you write about complicated characters without a sounding board who knows when images ring true or need more research.
Although having succeeded in being published may have the most eye-catching element to guiding others in writing books, years teaching people how to write with specific graduate level training matters as much. Too often those who succeed in being published struggle to break down mechanics of writing, lack expertise on respective subjects or fail to put their own writing styles to the side. Aspiring authors need help in finding identities as writers; that is what often brings self actualization, and sometimes esteem from having an intellectual legacy.
Clearly, a book writing coach can galvanize an aspiring writer. Most of us need structure in order to complete goals that require added discipline. Naturally, few if any of us could independently learn what was gained through formal schooling and mentorship.
About the author, John Toker, M.Ed. LD K-12, M.A.:
John is a published author who is also a writing coach and learning specialist. He offers writing mentorship and author coaching for people who want to write books. John wrote the acclaimed novels, Conflicting Sanity, LD Just Means Learn Differently and soon to be published Red Grows Green.
Editors - Who Needs Them?
When an author approaches an editor, they will think 'what can this editor do for my manuscript?' 'Can my manuscript be improved so that it will catch the reader's eye and more importantly, the eye of a potential publisher?' 'Is it worth the cost of having an editor look at my work?'
The answer is a resounding 'yes'! A good editor will give you the best chance of your work being published. Discrepancies and inconsistencies will be brought to your attention and alternative suggestions made. After consultation between author and editor regarding the writer's goals, an editor can then shape the writing, correct syntax errors, and make observations and notes on all the aspects of the writing project. The role of researching the writer's facts will also fall to the editor, to confirm the authenticity of information, and whether it has legal or ethical implications that need to be considered. Good editing will re-enforce the writer's credibility. All good editors apply the rules of English grammar consistently. Editors will analyse solecisms of style - unnecessary jargon, ambiguity, misuse of figures of speech, inappropriate vocabulary, wordiness, racism, sexist language and obvious parochialisms, when applicable.
There are many different types of editors. A manuscript editor's role concentrates on the smooth flow of sentence structure, whilst proofreading editors' focus on syntax, namely, grammatical errors, spelling and punctuation. Giving a 'voice' to your work by shaping your manuscript is achieved by a structural or stylist editor. The written content is checked for clarity, sense, grammatical and mechanical accuracy by a copyeditor, who also researches the guidelines or standards which the writer has to adhere to. Editors will bring their own instincts to bear, and be aware of the risks of over editing. The editor fulfils the role that a pre-release audience fulfils for the film maker.
The many roles an editor performs in collaboration with the author, enables the many processes of correction, condensation, consistent and accurate work to be accomplished. Applying a methodical approach will ensure that the author's creative skills and their ability to communicate clearly and effectively are brought to the fore. An editor will make sure that your work is readable. If your syntax is incorrect, for any one of a myriad of reasons, an editor will rectify this problem. Corrections may be made with sentence structure. The use of complex and compound sentences may be suggested as well as varying short and long sentences, so as to improve the flow of writing for your audience.
Once an author seeks publication, it becomes a business arrangement. It is up to all authors to make sure that their manuscripts are as well written as possible. Publishers look for works that will reach wide general audiences or specific target audiences; they will avoid poorly written and researched material. With a well written manuscript an author improves his chances of being accepted. An editor acts like a sounding board, makes suggestions for improvement, and creates dynamism in your written work, to attract potential readers. As an editor, you have to remain flexible with negotiations and recognize that your role does not include comprehensive rewriting of the manuscript. The editor needs to be aware that the intellectual property rights to the work remain the property of the author, or their publishing firm. When employing an editorial service it is essential to draw up a clearly worded contract that all parties understand. The advantages of employing an editor to review and analyse your manuscript, is well worth the additional expense incurred, to have your work published.
If you are an aspiring author and would like a competitive quote to have your manuscript edited, contact me on http://wordscribe.weebly.com
Grant Proposals for Education Starts a Dream
There's a lot of work to do before the school year begins. One of these is to write grant proposals for education, which aims to make dreams come true. Through a high-paying career as a result of higher education, people can be able to achieve a better life sooner or later.
Basically, there are grants designed to give hope to individuals and organizations that intend to pursue the desire of people to continue their education, especially in a reputable college or university. Apart from private organizations, many federal and state agencies are also in the business of giving aid on the basis of need, using public funds converted into grants for educational purposes.
Rather than spending time worrying about how and where they can get money to pay for school expenses, student applicants should look for grants that are meant to be utilized for either full or partial school payments.
Whether the beneficiary is enrolled in a university, college, community college, technical school, or a career-specific school, various funding programs in the state and country can be applied for if they only know where to look.
Obtaining funding for a worthwhile project or cause is a difficult task. Thus, it is understandable that written project proposal may not work on the first attempt, although it may go through a revision process. Then you, the grant seeker, ask: how are you going to do this?
Where and how to begin 
Preparing grant proposals for education needs careful planning and study to make it serve its purpose to grant applicants.
First of all, proposals should be prepared early so you can have enough time to make the necessary changes. For individual grant seekers, allow more time to prepare documents, such as official transcripts and other school records, if required.
The writing approach should be clear and to the point, without being too wordy or tedious. This can be achieved by applying an active voice, using descriptive phrases, and deepening your understanding of the project.
Aside from focusing on your achievements and aspirations, you should also review and determine your overall project mission and priorities. In addition, you should also ensure that your proposal reflects the needs of the funding source, not just the needs of the non-profit organization. In this way, both parties can work collaboratively on the same level.
After finishing your draft, it should be edited, proofread, and revised if necessary. Check your grammar. Ask a friend or colleague to review your work and let him or her give you feedback. Also, you can put your proposal away for a while and go back to it after a few days.
Low-income families can avail of grants, such as the California Student Aid Commission's Cal Grant Program, Texas' Toward Excellence, Access, and Success or TEXAS, and several other programs that focus on ethnic minorities, women, and people with disabilities.
Grant proposals for education are supposed to match what the funding sources are looking for, so you need develop strong and excellent results if you truly desire to get funded
Erin Millano has always been passionate to improve the quality of life of marginalized, low-income individuals, and families. She is a lobbyist, freelance photojournalist, and proposal writer. 
Interview With Cheryl Carpinello About "Young Knights of the Round Table: The King's Ransom"
Today, I am very pleased to interview my fellow Arthurian author Cheryl Carpinello.
Cheryl is the author of the young adult novel Guinevere: On the Eve of Legend and today she will be talking about her new novel The King's Ransom, the first in her new series Young Knights of the Round Table.
Tyler: Welcome, Cheryl. It's a pleasure to talk to you today. I've read and enjoyed both of your books and I only wish they had been around for me to read when I was a kid. To begin, will you tell us what made you decide to write books about the Arthurian legend for children?
Cheryl: I've always been fascinated by King Arthur. I've probably read just about every fiction story written over the last 15-20 years. One of my favorites is Deepak Chopra's The Return of Merlin. I've also ventured to nonfiction or scholarly accounts like your King Arthur's Children: A Study in Fiction and Tradition. However, I'm more of a romantic, and it's that side of the legend that appeals to me. I like the ideas that surround the legend like might is not right; how when seen from the air, there are no lines or boundaries on Earth-we are all here together, and we need to learn how to get along; and how in Arthur's time hope still lives. Underneath it all, I believe this is what draws young and old to the legend. What the legend says to kids without them realizing it is that there is a right way and a wrong way to live. This is done with the stories of the knights with their quests, their jousts, their rescuing of the damsels, and their fighting for the underdog. These stories present young readers with vivid accounts of honor, loyalty, and friendship. This is why I chose Arthurian Legend.
Tyler: What age group would you say your books are most suited for?
Cheryl: I typically write shorter books for the readers I'm trying to reach. My focus is on reluctant readers in grades three through eight. These reluctant readers are kids who are able to read, but prefer to do other activities. If I can reach them early in their schooling, it's just possible I might hook them into exploring other books. I've yet to find a student in the younger grades who isn't excited about the medieval time period. Reluctant readers, my nephew Joe is one, will usually balk at long, fat books, so I shorten mine. I usually add simple illustrations to break up the text, but being an ebook, The King's Ransom does not have these. I'm hoping my publisher will put the illustrations back in the print book when it comes out later this year.
Tyler: And in this first book, just who are the Young Knights we're talking about?
Cheryl: The Young Knights are three kids who have become friends via their friendship with a beggar/vagabond called the Wild Man. Without the Wild Man, it is likely that they would not have met and become friends because they are from very different backgrounds. Eleven-year-old Gavin is the youngest prince of Pembroke Castle in southern Wales. Fifteen-year-old Bryan has been sent to Pembroke by his parents to learn to be a blacksmith. Thirteen-year-old Philip is an orphan who wandered into Pembroke village and lives and works at the church. They are really just three lonely kids who find friendship with the Wild Man and each other.
Tyler: Will you set up the plot a little for us?
Cheryl: Someone breaks into the king's (Gavin's father) treasury in Pembroke Castle and not only steals the medallion The King's Ransom, but also kills Aldred, the king's advisor. Being a beggar/vagabond, the Wild Man is captured and charged with the crime. It doesn't help that a bloody knife is found with his belongings. Gavin, Bryan, and Philip are determined to prove that the Wild Man is innocent. In order to do this, they embark upon a quest where each is tested and must conquer his fears or face humiliation and/or even death.
Tyler: I think the Wild Man is my favorite character. Where did you get the idea for him?
Cheryl: Ah, the Wild Man. He is much more important than it appears. I knew that in order to make The King's Ransom (Young Knights of the Round Table) work, I had to have a strong tie-in with Arthurian Legend. Sure, King Arthur makes an appearance, but that wasn't enough. Then I remembered the Wild Man from T.H. White's The Once and Future King. He worked perfectly. The Wild Man is also mentioned in a number of other Arthurian books, but my Wild Man comes from White.
Tyler: How many books do you think you'll write for the series?
Cheryl: Right now, I don't have a definite number in mind, at least two or three more.
Tyler: Is Guinevere going to be tied into the series down the road or is it a completely separate book?
Cheryl: Guinevere won't be tied into the series because it occurs at the beginning of Arthur's reign. Young Knights takes place after Arthur is more established. However, another book featuring Guinevere and Cedwyn is in the planning stage. I've had several requests from readers to write about what happens to Cedwyn. That's what the next book or two will deal with in that line.
Tyler: Do you have a favorite Arthurian novel of your own or which ones most influenced you in your own writing?
Cheryl: I would have to say my favorite is T.H. White's The Once and Future King. I like how White makes the legend so accessible to a variety of readers. Many people-kids included-are already familiar with White's story even though they may not be aware of it. Of course, I'm talking about the fact that Disney made the animated feature story The Sword in the Stone from Book I of The Once and Future King.
Tyler: You include several educational items in the book for teachers. Will you tell us a little about those?
Cheryl: One of the many reasons I'm excited about The King's Ransom is that my publisher MuseItUp wouldn't let me include the educational pieces in my book. They had me do a separate eighteen-page Teacher Guide that is available as a free PDF download when readers purchase The King's Ransom from their bookstore. I also have a copy that I can send to readers for free and hand out in classrooms and at workshops. The guide carries that great castle cover and is loaded with resources and materials for teachers and homeschooled students. Included are a synopsis, information on the Arthurian Legend and the medieval time period, castle vocabulary, and a word find puzzle. Teachers have suggestions for discussions, projects, and writing exercises as well as additional medieval references specifically geared for young readers. I also put together a complete set of comprehension questions/answers for all eighteen chapters.
Tyler: How has being a teacher yourself influenced your writing middle grade/tween books?
Cheryl: I've written several books over the years. I've done an adult romance, a YA romance/bildungsroman, and several stories suitable for picture books. I just never seemed to find a genre I was passionate about writing. Then I started teaching The Once and Future King. My students loved the story and the whole medieval world. After writing Guinevere, I started doing medieval writing workshops in the elementary schools and found every classroom full of kids crazy about King Arthur and the Knights of the Round Table and the medieval time period. I have to say that being in the classroom and working with the younger kids has been my entire motivation for writing my books.
Tyler: What do your students think about having an author for a teacher?
Cheryl: My students were excited when I told them my book would be published at the end of the school year. Then when they found Guinevere: On the Eve of Legend in the school's library, one of my senior boys told me, "That's tight, miss." When the cover proofs for The King's Ransom came out, the kids picked the one(s) they liked best. In the end though, I combined aspects from a couple of the proofs for the final cover, and they liked that as well. The book released just three days before school ended. Many of my students left me their addresses so that I could contact when the print book comes out later this year. They want an autographed copy.
Tyler: Thank you for the interview, Cheryl. Will you tell us about your website and what information we can find there about The King's Ransom and the Young Knights of the Round Table series?
Cheryl: Beyond Today (Educator) http://www.beyondtodayeducator.com contains information on the King Arthur Legend and both Guinevere and The King's Ransom. The events section is a picture gallery of my Medieval writing workshops I do with the Colorado Girl Scouts. The education section currently shows how Guinevere aligns with the Colorado State Standards for Reading and Writing. I'll be updating a lot of the site this summer.
On my blog, I review Children/MG/Tween/YA books, conduct interviews with authors, and post ideas to get kids involved in reading and writing. Visitors can still do the virtual blog tour of the book's settings in Wales that I posted when The King's Ransom released.
Tyler: Great, Cheryl. And thanks again for the interview. I can't wait to hear about the next book.
Tyler R. Tichelaar holds a Bachelor's and Master's Degree from Northern Michigan University and a Ph.D. from Western Michigan University. His family's long relationship with Upper Michigan and his avid interest in genealogy inspired Dr. Tichelaar to write his Marquette Trilogy: Iron Pioneers, The Queen City, and Superior Heritage. Dr. Tichelaar is also a professional book reviewer and editor. For more information about Tyler R. Tichelaar, his writing, and his author services, visit: 
www.MarquetteFiction.com
Can You Write Yourself Into Confidence?
As with writing, so with life. Since this is my birth week, I'm giving you a present, some great writing tips:
1. Take Inventory. I've been taking inventory every week. We tend to focus on what needs to be done without taking the time to congratulate ourselves on what we have accomplished.
2. What translates? Take a look at your list-whatever you are writing, newsletters, your book or your marketing materials, what crosses over to what you are doing? If you're learning to play tennis, how does concentration, flexibility or teamwork play into the job you do or the subject you are writing about? Put your personal spin on your subject- don't be afraid to inject your personality or a story about yourself to illustrate your point.
3. As you take inventory, you'll find you stretched in certain arenas and gained confidence, which will translate to everything else you do, including writing and business.
A recent example of stretching: this weekend, I was invited to a one-day workshop to define our dreams. Getting my dreams and goals set right before my birthday, what a gift!
The next day, I had a photo shoot for me. I was told to: get my hair cut, have my makeup professionally applied, get some new, edgy, modern clothes and assemble accessories and props. Then I had to scout locations...
Although I never did master the curling iron, (beauty school dropout?) I had to curl and spray a helmet head for the windy coast weather, remember which makeup went where and take direction from the photographer.
I was out of my element. But it gave me confidence. The better my photo image looked, the more my self-image grew, just as mastering anything can reflect confidence in your business, your writing and your life.
More writing gems:
4. Before you write, close your eyes, relax and allow yourself to float out of your mind. Ask for ideas. Your intuition and the other-than-conscious mind will not disappoint!
5. Instead of plugging in a cliche, actually describe an emotional or visual experience in your own words. For example:
The tree was dead as a doornail.
The downed tree's bark was strewn across the field, tiny blackened chips decomposing into the moist, mossy soil.
6. Edit out anything that's not to the point or where you feel your own energy flag as you read it.
7. Don't have someone else read it for content (just mistakes)! When I stopped doing this for the book I ghostwrote, I stepped up my confidence. Does that mean you'll NEVER need an editor? Of course not. But do not ask just anyone to read your work. Be selective and KNOW WHEN IT'S GOOD ENOUGH! Sending your work out without another's approval can be empowering.
Rosemary Sneeringer is The Book Nurturer. An experienced editor, she specializes in helping writers access their inner author to complete their novels, memoirs and books and to grow their businesses. Go to http://www.rosemaryswriting.com
http://facebook.com/thebooknurturer
310-909-3988
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Tips for Writing YOUR Book
A novel lives inside the heart of everyone around. Some people will take the time to begin writing out the story, but the words fade and interest gets lost. Others will continue writing until the story finds its end, only to tuck it away in the dark drawer of a desk. A limited few will keep that story out in the light - tending it until it can stand against the world on its own.
The differences between those that let the novel stay hidden in their hearts and those that set it free into the world are all that is holding you back from writing that book that you feel creeping around inside your mind.
Tips for Writing Your Book
1. Write - It is really that simple. Unless you write the story in your mind, you will never get the story out of your mind and on to paper. Sign up for writing groups that meet at least twice a month. The encouragement of others can help you continue to put words down. Get involved with National Novel Writing Month. The challenge to write, backed up by the encouragement and experience of others, can ignite your desires to see it through. However you have to go about it, go about it. A writer must write.
2. Rewrite - The end is only the beginning. Review the plots and subplots, take a closer look at the characters, and make the changes you know you would want to read. Sometimes it requires tweaking, but there are times when entire scenes and characters may have to be exterminated. When you cut them out, set them aside for a new life on another day.
3. Edit - Review the manuscript for spelling errors, words used incorrectly, and changes in tense (just to name a few). Find the problems, or a reader will be happy to point them out to you down the road. Read the entire manuscript out loud. Hearing the words can help you find any problems in the flow of the words.
4. Share - Get different eyes to read your manuscript. You may want to consider a professional critique, or you may have an acquaintance that will be open and honest. Be opened to what four or five others have to say about the words you hold so dear.
5. One more time - Read your revised, edited and reviewed manuscript one more time. Feel the story and experience the characters. See through the eyes of your readers and then you will know if your words are ready to face the world.
Write for the long haul. Invest the time into developing characters and plots that will make readers want to invest time into your words. You can write that novel. You have it in you. To reach that destination you must first, and above all else, WRITE.
Kathryn Lang uses words to take you on a journey filled with suspense, excitement and a twist of humor to lighten the load before she leaves you to settle softly into the hope of what tomorrow will bring. Order her novel, RUN, today and join in the journey.
Get Ready for Job Hunting: Hire a Military Resume Writer
In the entirety of your military service, you have traveled across thousands of miles and have been in different continents, handled personnel training and logistics, and managed materiel and operation. Most probably you have been deployed in combats and fought dauntlessly in dangerous battles. As you prepare to leave the service, though, you are face with a new challenge in your life: transitioning to a new career either in the public or private sector. And of course, you need a remarkable resume for your job application!
As an experienced professional who has completed a military career, you possess a multitude of skills and expertise to offer to the federal government as well as to private-sector employers. However, you may discover particular details that are difficult to translate to federal or civilian terminologies. One of the main reasons why servicemen do not successfully obtain regular jobs is because their resumes lacks the direction and focus that federal and civilian hiring managers are looking for.
It is your crucial marketing tool. Its effectiveness will be your ticket for an interview in the job that you want. If you are uncertain how to project your relevant skills and accomplishments into that important document, you may want to consider hiring a professional military resume writer. These professionals are qualified experts in organizing and interpreting your career to market you effectively.
It is not rare for hiring managers to disregard servicemen as qualified job applicants and reject their applications. It is because most of them do not understand the jargons used in the document. Usually, it takes 15 to 20 seconds to create an impression to the human resources personnel, and that time is oftentimes spent in deciphering difficult=to-understand language. As such, the document loses its impact, and the skills of applicants are overlooked or ignored. Several recruiters are often unable to make sense of your background and achievements. Thus, they do not know what you can offer to the organization or doubt if you can apply those skills in the corporate atmosphere.
Servicemen actually perform as excellent leaders in a company or in the government because of the diverse experiences they had during their tenure. They are highly responsible and exceptionally dedicated to the tasks given to them. They are adept in making tough decisions. They are strategic team player who knows how to handle stressful working environments. Hence, it is important to craft an amazing application that corresponds to these outstanding abilities. An accomplished and experienced military resume writer could certainly boost your qualifications and demilitarize your career to re-create your experience for an impressive presentation.
Today, there are numerous writing companies that offer their services throughout the Internet. A proficient military resume writer could provide a clear and effective outline of your experience, skills, and expertise to help you in your career search. They are well-versed and knowledgeable of the keywords or "buzzwords" in vogue in the employment market. Additionally, they are also familiar with all the formats needed for today's job hunting such as text, PDF, and electronic resumes and could give you advice on the format needed in a certain situation.
Whether you are preparing to serve the federal government or aspiring to be a part of a private corporation, your application is your first step in the process of job application. As a former part of the military, you are a disciplined, goal-oriented, and talented individual that makes you a desirable candidate for a job position. Never let your application document decrease your chance of landing on the job your desire. Hire a professional writer that would highlight your value and help you launch your career in the competitive job market.
Melinda Edwards works as a career consultant and has been invited in many forums and events on human resource management. She is also a time management expert who effectively performs her roles both as a career woman and a mother.


Hospitality Industry Resume: Welcoming Career Opportunities
The hospitality industry is considerably one of the biggest and fastest-growing sectors today, and, indeed, one of the highest job-providing areas of the global economy. As such, it embraces services entailed in several areas including entertainment, accommodation, restaurants, travel and tourism, event planning, and other luxury-based conveniences intended to satisfy customers. Since it offers a number of career opportunities, the industry itself has progressively turned out into a very competitive arena for job seekers. And in this challenging setting, what an applicant needs to have is a much convincing and ideal hospitality industry resume that will powerfully emphasize the 'information' relevant to their chosen field.
Talking about information, a resume appears to be an important, yet crucial requisite for a job seeker since it basically reveals one's goals, skills, and experiences that will give employers the chance to determine your potentialities; thus, a keen evaluation on the details to be incorporated must be observed.
One dynamic part is the career objective. This part is usually the very first thing that potential employers read since it essentially speaks of a person's utmost purpose in applying for a certain position and the value you can bring to the company. It sets the rhythm for the rest of a resume; thus, a sense of directness and creativity must be established in order to grab the attention of employers. In most cases, job seekers intend to substitute career objective statements into a qualifications profile, which highlights attributes and gives a summary on one's skills.
Education, trainings, and other certifications relatively matter for most of the companies; hence, these details are commonly brought up in a hospitality industry resume. Universities and related courses or degrees taken by the applicants are cited, along with their attended training programs and obtained awards, recognitions, and special licenses. Likewise, affiliations and activities are added up to heighten the resume.
Job experiences convey something about one's professionalism in a specific field. These generally include an outline on the aspirants' internships, volunteer works, and chronological employment history together with a detailed and clear job description on each position. Such will allow company heads to be familiar on the companies and duties that the applicant has already worked with. On top of that, an application must entail an individual's personal profiles including the name, contact number/s, existing home address, e-mail address, and a webpage link, if possible. This will allow prospective company superiors to reach and contact the applicants in the easiest way as possible.
There are a variety of positions and fields of expertise available in the sector-may it be in the food, beverage, and restaurant services, hotels and resorts accommodations, corporate or functional events planning, or even the travel and tourism sector. Despite the fact that it demands a diversified level of manpower, competition among its aspirants is still a tough thing to consider. For such instance, it is greatly a huge factor to come up with an impressive hospitality industry resume that will stand out among other job hunters.
In order to have a good application document, the candidate must consider also certain guidelines in preparing such requirement. Since the realm of the sector comprises different areas, it is a must for an applicant to initially choose and set focus in a specific field of interest he or she intends to work on, say for example, a career in hotel and restaurant management. It can be based accordingly with the essential skills acquired through educational attainment and work experiences that one has undergone. In the process of writing the document, remember to quantify and put emphasis on trainings and professional experiences related to the chosen career path, since most of the companies in the field actually use these as basis of competence. Additionally, use distinctive keywords that will suitably enhance the resume. Once done with the content, the applicant must also prepare the requirement in a clean and presentable manner by means of applying simple yet formal font style, size, and the like.
In this specific sector what seems to be a primary factor of achievement is to satisfy customers through exceptional service. But before you can actually render your service to them, you must first satisfy your prospective employers with the 'service' brought about your hospitality industry resume -and this will serve as your initial key to land and be welcomed in a career in this service-based industry.
Melinda Edwards works as a career consultant and has been invited in many forums and events on human resource management. She is also a time management expert who effectively performs her roles both as a career woman and a mother.


Freelancing Is Business and No Business Can Survive Without Marketing
How do we do this? 
We have to find out one very important factor. know who is our customer. We have to get his age bracket, favorite blogs, food preferences, earning capacity and how much is he willing to spend. We have to know our customer intimately.
Surveys can help. It doesn't need to be a very comprehensive survey. It doesn't need to be expensive either. A simple survey sent via email will do. You can ask a set of three questions, collate the responses properly and then study them thoroughly. According to Social Brite.org, the top five online survey tools for non-profits are Wufoo, SurveyGizmo, Google Forms, SurveyMonkey, and Surveyz. In an article, it is stated that these survey tools are the best for non-profits, however, in my humble opinion, they are also good for any business.
When you have the answers you need for your marketing research, you have to adjust your product (yourself and your writing) with the aim of improving your business.
Marketing can make or break your freelancing business.
From your marketing research, you can discover your niche. Focusing your efforts on your writing specifically for your niche will plant the seeds of success. If you know your niche intimately, your writing will sparkle when they read your articles. They will find out that what you've written is zeroed in on them and nobody else. Nothing beats that feeling. That the article is particularly about them. It flatters anyone to digest a write-up specially created based on their needs.
If you are struggling with something and you have not even told your partner or spouse about it but the writer, surprisingly, is addressing it already, you will naturally say "wow! This is for me. This will help me in my journey as a freelancer".
When you have reactions like this from readers, nobody can stop you from reaping the fruits of your labor. You will have more readers, and in no time at all, you will have a solid tribe supporting you.
Next thing you know, your business is rising. You have loyal readers and they are ready to purchase what you sell. Not only that, they are supporting you all the way.
When this happens, you have a freelance business running and the fuel (customer base) to keep it rolling. All because you did your assignment diligently. You did your marketing strategy and did it well.
If you want to succeed in the fierce world of freelancing, you have to brush up on your Marketing techniques. Marketing is an integral part of your freelancing business.
Anthony Dejolde is a writer who can help you with your writing needs. Part of his services is copywriting for web,Radio & TV, SEO content development, and blogging. Follow him at http://anthonydejolde.wordpress.com/ and on Twitter @AnthonyDejolde.
Ways Writers Work Too Hard - Part 1
Writers often create more work for themselves by making a number of time management mistakes. If you work a full-time job and write in your spare time, you don't have much time to work on your writing goals or your writing projects.
And if you have children at home, it's even more difficult to find time to write.
I know very well what it's like to want to write but not have the time or the energy left to do so; I ran an egg farm with 500 chickens last fall on top of working a full-time job. Needless to say, I didn't get much writing done.
So, when we're on a small "time budget", we need to be careful where our time goes. That is, if we want to get words on the page.
One big time management mistake that writers make is fixing minor errors before the major ones.
I'll be upfront. This tip may not be for you. If seeing any kind of grammatical, spelling, or punctuation error drives you crazy and you can't possibly get through the day without fixing it, then, by all means, fix it. But if you're ready to take full advantage of the short amount of time that you have, save the minor fixes until last.
Yeah, I know they're easy, but the reason I'm saying this is that those minor errors may disappear when you fix your major ones.
The major errors span over sentences and paragraphs to pages and whole chapters. If there are issues with the whole page, the page will need to be rewritten or removed, so if you were to go through your article, story, or other written document and fix the minor errors first, you would be spending more time and energy fixing things that would just be removed anyway. Why spend more time and energy than you have to?
Focus on the big things. Are your points (i.e., bullets, plot line, etc.) strong? Are you characters interesting? What areas can you clarify and tighten for word flow? Does each paragraph serve your story or premise? Do your descriptions really move the story forward?
By focusing on the big things, you can save yourself some valuable time and energy. Once you have a solid draft, go back and focus on the small things. Fix the grammatical errors, the misspellings, and the misplaced punctuation. That way you won't be fixing errors that will get removed along with the major ones.
Happy Editing!
Jody Calkins helps entrepreneurs and creative writers walk down the "write" road to publication and writing success. As a writer and editor, she specializes in enhancing the clarity, quality, and creativity of a writer's work whether it is fiction to entertain or inspire or nonfiction to teach or motivate.
She is also the author of the book, How to Write an eBook That Shines: A Practical Guide to Enhancing Your eBook Through Clarity, Quality, and Creativity.
For more information on Jody's editing services, please visit http://emeryroad.com/editing-services.
Do you need some writing ideas? Join me for 7 days and you'll have plenty of ideas to get you started! Go to http://emeryroad.com/ideas.
Making Simple Sentences
Let's face it, your exam marks determine an enormous amount of your future. Writing well is vital for a good essay mark. Yet, very little time is spent in schools or colleges on how to write well.
This article explain over the course of few lines how to change the use of main ideas in a sentence from 'not very structured' to 'structured' and thus go some way towards improving the clarity of the written speech which is produced by the typical student.
One of the things which may surprise the average reader, is how varied the use of the noun can be. Often, main nouns convey your main ideas; so it is worth putting them at the front of the sentence.
In some sentences, nouns come at the end of the sentence whereas others they come at the beginning. Generally speaking, it is a good idea to put nouns at the start of the sentence in English.
For example the following sentence can easily be made to flow more successfully with minor alterations,
"Going quickly, noticing many objects of art, interest and high culture, I was struck by the magnificence of Big Ben".
Becomes
"I was struck by the magnificence of Big Ben, going quickly and noticing many objects of art, interest and high culture."
Notice that this is just one example of a sentence. Many possibilities occur in English and so, it is hard to make generalisations which remain true over a wide number of situations. Nevertheless, I believe the rule about main ideas near the start of the sentence does hold true.
A further example is instructive to develop the wider point:
Watching less television than their classmates (of a similar age) and studying hard should be the main instruction given to our children.
This could be written as:
"We should tell are children to study hard like we did at their age and also that they should watch less television than their classmates."
Or my personal preferred choice, which would be.
"Children should study hard and watch little television."
So, main ideas at the start of the sentence often make things clear.
Using these ideas, I believe you will find making the main point of a sentence that bit easier. I also feel certain that this will help many students who find themselves wanting to improve their written communication in a hurry.
For more tips on writing and essay construction, please vision by website.
Oliver Lindon is the Director of Noesis Education and Essay Writing Guide.
Noesis Education provides talks on essay writing, with a specialism for dyslexics.
Essay Writing Guide is a book which describes the process of essay writing from the point of view of the British A level and Univeristy level courses typical of people between 16-20. Please see:
Editing Versus Proofreading - What's the Difference?
Editor - proofreader. To-may-to - to-mah-to. They're basically the same thing right?
Well, not so much.
It's a pretty common misconception - many people say 'proofread' when they actually mean 'edit' and vice versa. But the two should never be confused. Although there are a few similarities - there's actually quite a big difference between the two.
Dictionary definitions
According to Dictionary.com, the definitions are:
· proof·read [proof-reed]
verb
1. to read (printers' proofs, copy, etc.) in order to detect and mark errors to be corrected.
· ed·it [ed-it]
verb
1. to revise or correct, as a manuscript.
2. to prepare (text) for publication by checking and improving its accuracy, clarity, etc
But what do they mean in practice?
Edit
Editors have a slightly more in-depth look at your text. They will go through your copy and make sure that it is free of any mistakes or inconsistencies. Many people think that editing simply means finding and fixing all the spelling mistakes. It's true that this is an important part of the job - but there are so many other elements that editors have to look out for.
They will go through text and generally improve the quality of writing and the way it flows. On top of fixing the spelling, punctuation, typos and other obvious mistakes - they fix the grammar and check that sentences make sense. They make sure the style and presentation is consistent and that names and dates are always treated the same. This means editors have to have a deeper understanding of the accepted style across various fields.
Proofread
Proofreaders are somewhat like the final checking point before something goes off to publication. So once the copy has been written, and edited, a typesetter will produce a proof copy of the final product - article, brochure etc. The proofreader will then check it in conjunction with the copy to make sure that no mistakes were made in the typesetting and that the editor didn't miss any mistakes in the original copy. Proofreaders have a specially trained eye for catching small errors that most our brains' will just automatically correct. Another major different between an editor and a proofreader is that a proofreader has no editorial say. They simply highlight the errors they found and query it with the editors and typesetters. Proofreaders also have extra pressure to be extremely accurate because they are the last stage before publication.
It's a good idea for any writer to have their work edited or proofread by professional editors and proofreaders, because it's even more difficult to spot mistakes in your own work.
Get professional proofreading and editing services with Jo Watson Productions - a writing collective that offers full writing services. -http://www.jowatsonproductions.co.za
The Writer's Need For Belief
As with many things, the ability to write may begin with curiosity - I wonder if I can do this - but at some point, in order to carry on, you need to believe in yourself and your ability to write.
It also really helps to believe that your Creator has put you on this earth to write. A sense of destiny can be very motivational.
Sometimes people develop this sense of being called to write after they have actually published something. At the time of writing, they were simply putting down something that was burning within them, and later success helps them to see that their writing was what God actually wanted them to do.
You may be questioning: 'What good will all this believing do? That won't get words on paper.' It's true; just believing you can write will do you no good at all - if that is as far as you ever get. That would be like believing you can play a great game of golf without ever actually hitting the ball with the club.
What can this belief do for you then? One word: motivation. It will motivate you to:
· Give writing a go.
· Apply yourself to continuing to write as much as you can, as often as you can, even when you don't actually feel like doing so.
· Become a student of this great and ancient craft.
· Be willing to learn, and keep on learning, the skills that will make your writing shine.
· Become increasingly willing to share your writing with others. This can be a real hurdle for those just starting out. A belief in your writing will help you to develop the self-confidence you need to get over this hurdle.
· Develop the perseverance necessary to get your work published. This can be the most difficult part of writing.
Learning to write is not something like learning to make your bed: once you know how to do it, you know how to do it. With writing, you are not only learning skills, you are learning about people, you are learning about yourself, and you are learning about how this world works. It's a fascinating and lifelong study. Don't ever expect to know it all.
A lack of this belief in your writing will make it much harder for you to meet writing's specific challenges. Writing doesn't always flow easily. It can be very hard mental work to make words say exactly what you want to say. The effort can take you on some serious low points, in which you are filled with self-doubt. 'Can I really do this? What if I can't?'
Self-doubt can incapacitate you. It can strangle your creativity. Rejections can really throw you down. I know that very well.
What can rescue you when you have been knocked about by the difficulties of the writer's life? Belief that your writing is what you are on this earth to do.
It amazes me when I read stories of the incredible tenacity of some writers, who haven't had their work recognised for many, many years. Some writers never even see their work being valued during their whole lifetime. How do they keep going?
Really, the only thing that will keep you going sometimes is an inner conviction that you can do it; that writing is how you will fulfil your destiny.
Do you need help to write better? Do you want some inspiration to put your thoughts into words? Could you do with some encouragement to develop your writing skills?
Click here to visit http://www.wordsandscenes.co.nz by Janice Gillgren
The blog on this site offers inspiration, encouragement and useful tips to writers at all levels.

Want to Write a Book - Try Fiction Writing for Kindle
In the days, weeks and months ahead, thousands of aspiring writers will seek fame and fortune with their first published work. Some will catch the brass ring, but most will not. I'm not saying this to discourage you. In fact, if you read through this entire article you will see that what I have written here is meant to help... not to discourage.
My goal here in is to provide you with a course of action, not a detour. Think of this article as the feedback you get when you go into Google Maps and ask for directions. Google provides you turn by turn instructions to allow you to reach your destination by following the best possible route. But Google won't know about a major wreck that just occurred on the Interstate. So if you follow the directions perfectly, you may still end up stuck in traffic.
Life is like that... it seems that roadblocks are thrown into our path at every turn. Yes, life can be frustrating, and no one knows just how frustrating life can be better than me.
My Story (In Brief)
I had a burning desire to be a writer at a very early age. I signed up for a writing correspondence course using a coupon clipped from a popular magazine of that time, I mailed off the application that included a short story and a check. Well-low and behold-I was accepted as a student. Of course this writer's school probably accepted everyone applying with a check that didn't bounce.
A few weeks later I received the first few lessons, a study guide and an Olivetti typewriter. Remember typewriters? They were machines that printed on actual pieces of paper. I didn't know how to type. Typewriting class in high school was for the girls. It trained them to be secretaries or teachers, the job possibilities that most girls in the 1950s aspired to-since there was little else available.
I still can't type, but I do have two fingers that hunt and peck my way along.
This course had several prominent writers of that era serving As "Guiding Faculty." The only two I recall have long since passed away I gave up in frustration some months later when I ran out of typing correction fluid.
Time Marches On
Over the passing years I still nurtured the desire to write. And I was moderately successful. My first published work was a story about a volunteer fire company, of which I was a member. The only news paper in Medford, NJ was a weekly that carried several of my earliest efforts. After more time, two national magazines carried my stories: What a thrill to receive a check in the mail instead of a rejection slip.
I made several stabs at creating novels. I still may have those attempts somewhere around here gathering mold in their spiral notebooks. It wasn't until 1986 that I really got serious about creating a novel-from start to finish. Two factors influenced this decision:
1. A newspaper story disclosed an FBI sting in which a foreign business attempted to convince an IBM employee to deliver company secrets to them for cash. The worker instead went to corporate security that, in turn, brought in the Feds. The sting was successful and arrests were made. What was most significant about this story was that it happened at North Carolina's Research triangle Park-a mere 15 miles from my adopted home.
2. A few days later, while in route to my job, I chanced to hear an interview of a former Green Beret on a local radio talk show. His statement sent shivers down my back. "We were surrogate warriors-fighting someone else's battles."
And so-armed with a plot and a book title, I bought a new spiral notebook and began to write. After scribbling 70-some pages I learned from a friend about the computer he had bought: Understand that back then, computers didn't have a built-in hard drive or operating system. To "boot up" the 1000S used two 5 ¼" floppy disks. Once activated I put a word processor in Drive A and a blank storage disk into Drive B.
Eventually I transferred my notebook into electronic files.
But I have an impatient nature-and always will-so I rushed through the chapters until I had what I thought was a plausible conclusion-and I cranked up my dot matrix printer and ran it out. I had about 60-some printed pages--and I set it aside.
More Time Passes
In 1987 I had a nagging desire to own my own business, I had been offering my services as a videographer, and I videotaped several weddings. Frustration on my day job led me to quit my well-paying job and open a fulltime video production business. I eventually added photography and moved my business from the spare bedroom to an office park. 10 tears later my wife of nearly 40 years informed me that she had seen a lawyer who was preparing separation papers. The divorce followed one year later.
Without divulging too much personal information, I met a woman who would literally change my life. She answered a personal ad I had placed in the local newspaper. Our blind date took place at-of all places-a nationally known bookstore coffee shop in Raleigh.
At some point I mentioned that I'd had several articles published in national magazines, and at some point she asked, "When are you going to show me your novel."
I did. I gave her the 60-some dot matrix-printed pages. She tore into them with a vengeance. She could visualize a better order, deeper characterization, and a more realistic outcome. We worked together-me taking her suggestions and filling out the story, while she kept critiquing my efforts. When we finally reached what we considered to be a workable manuscript.
The Search for a Publisher
The 21st century became a reality as we printed out sample chapters, and together with a synopsis, began mailing off packages to publishers. This went on for a year or so. What we learned mostly is that most publishers will seldom consider any manuscripts unless they are submitted through a genuine, established literary agent. And literary agents told us that they were too involved with their successful writers to bother with a wannabe author like me.
The century crept on and it wasn't until 2008 that I learned about "print-on-demand publishing." I found a publisher that "never charges a fee" to its authors. So my novel finally saw the light of day. Can you imagine the thrill of seeing your novel appearing on Amazon or Barnes and Noble?
Yes... I was thrilled on one hand but discouraged on the other. The retail price for my 274 page novel was $24.95 for a soft back (paperback) book. Most hardcover novels sell for about the same price. It didn't sell.
End of Story... Not Yet
One difficulty I had was the credibility of my publisher. The only marketing effort they made was to sell printed copies of their novels to the authors of them. We were obliged to buy copies and set up our own book signings. But the economy went sour and every book store I contacted either ignored me or begged off due to the downturn in printed book sales. Industry statistics tell us that only about 30% of all book sales now occur from brick and mortar book stores.
The Electronic "E-Book" Phenomenon
It began with Amazon's introduction of the Kindle. This handheld mini-computer downloads complete novels in a flash through local cell phone towers. My wife bought a Kindle when they were first offered and currently has over 100 novels in storage. Not long ago she bought an iPad and transferred her library to it.
But my publisher had an on-going feud with Amazon, who wanted the publisher to convert all of its books to the Kindle format. My publisher refused. The answer was, of course, to charge the author's to format their works. It cost me about $30.
Getting Your Novel on Kindle
My advice is to skip the middleman-the publisher. Amazon uses a company called CreateSource that offers the tools needed to correctly format your novel, and most of their services are at no cost. I have a second novel in the works and this is the course I will follow. Sign up for an account with CreateSource. Even though my new novel isn't finished. I am also looking at Barnes and Noble's Nook, which is their competitive offering with Kindle. I can do this if I am not encumbered by a contract with a publisher.
Writing a First Novel
Many literary agents and publishers agree that first novels are often somewhat autobiographical. This is true with my novel. But I won't specify what parts are true and what parts are pure fiction. I drew from my own real-life experiences and suggest you do the same. Surrogate Warrior deals with industrial espionage and a retired CIA agent's efforts to find the leaks of corporate secrets.
My second novel tells the tale of a serial killer that sets up shop in the Blue Ridge Mountains of North Carolina. Is this autobiographical? Am I an experienced serial killer? No... I am not, but I am somewhat of an expert in criminal and crime scene investigation. So you see, a novel's success is partially based on its credibility. Draw from your experiences, things of which you have some real experience. If your novel is ready, check out e=Book formats. If not-get started on it!
3/4s of a Century is behind me. Am I really too old to be seeking a new career as a novelist? No way! I have reasonably good health, but more importantly, I still have a burning desire to achieve a level of self-satisfaction, while providing a measure of entertainment to my readers. You might say I wasted a lifetime getting to this point. But the real point of how this story became a reality is based on words spoken by Winston Churchill to a graduating class, "Never, never give up."
The link below is to Amazon's Kindle page for "Surrogate Warrior." My hope is that this novel will serve as an inspiration to you. Purchase a copy of "Surrogate Warrior" and see for yourself. Analyze my character and plot development. The cost is just $9.95-but if you look at it as a How-To-Guide, it will be the best investment you can make. Surrogate Warrior.
Remember this, "If it is to be-it is up to me!"
Expert Author Don Penven is a freelance writer and professional photographer based in Raleigh and Morehead City, NC,


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